Poole brings to life American horror stories by framing them within folk belief, religion, and popular culture, broadly unraveling the idea of the monster. Sex and violence are the recurring themes of the book, but Poole always provides context for why they recur so often. Study Guides, Friday afternoon, July 17th & December, 5 months later. In some ways, this felt more like a book about racism and sexism on celluloid and in politics than a book about "Monsters." Your subscription will continue automatically once the free trial period is over. During the robbery, Aguinaldo Nesbitt, the fifty-five-year-old owner of the store, was killed. His new book, forthcoming this fall and available for pre-order, is _Wasteland: The Great War and the Roots of Modern Horror_. damn good primer on monsters in America. Edna St. Vincent Millay Five of our Favorite Poems ! The book reflects on the. I love ghost stories and folklore because they reveal an aspect of history and popular thinking in an entertaining way. It's also a great way of introducing the idea that you can use different lenses/ways of writing to introduce and discuss topics. He is also the author of _Monsters in America_ from Baylor University Press (2011)._Monsters_ explores the American fascination with vampires, zombies, serial killers and even sea serpents, showing how these creatures of our dark obsessions help us to understand the dark and foreboding places in American history. Poole brings to life American horror stories by framing them within folk belief, religion, and popular culture, broadly unraveling the idea of the monster. Steve calls the movie Monster because that is what the prosecutor has called him. Subscribe now. For Poole Halloween means more trick than treat; we discover that the monsters are us. for a customized plan. This website uses cookies to ensure you get the best experience on our website. Monsters in America is W. Scott Poole's interpretive history. Pooles constant harangue against anything conservative is a thin criticism to begin, stretched beyond any semblance of recognition by the end of the book. Not only is it written in a fun, easy to relate to voice, but it is also chock full of info. Synopsis: From our colonial past to the present, the monster in all its various forms has been a staple of American culture. Poole suggests monsters are created by America to mask its own monstrosities or monsters exist which interpret American culture. Other times Poole relies too heavily on social interpreters for his connections. Asa Briggs, Kings attorney, establishes that the police have no fingerprint evidence. Academic, yet very accessible, I was fascinated by this book, and it holds a very special distinction as the only book I was required to buy for a college class that has earned a permanent place on my bookshelf now that the class is over. Petrocelli, OBrien, and Briggs make opening statements on the first day of Steves trial. She coaches Steve on how to answer questions on the witness stand. 20% Instead of representing the "us vs them" mentality, monsters are much closer so home: they are us. I feel like the author did a great job at deconstructing America's social issues and how they connect to the monsters/fears/entertainment of the time. By entering your email address you agree to receive emails from SparkNotes and verify that you are over the age of 13. Monsters are here to stay. ", Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon. Pallas Athena Roman name: Minerva. Numerous scholars explore the cultural and political implications of monster and horror films for the times from which they emerge. Few scholars connect such implications across broader expanses of time to reveal how intrinsically monsters and the horrific have been bound up in the history of America. Monster was adapted into a movie of the same name in 2018. Lewis Biography (And Other Biographies /Companion Guides)! Use features like bookmarks, note taking and highlighting while reading American Monsters: A History of Monster Lore, Legends, and Sightings in America. In the follow-up to his first book, Satan in America, Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. I. Poole is also a Professor of History at the College of Charleston where he teaches courses on monsters in American history, Satan in folk belief and pop culture and the history of religion and race in American life . Author: W. Scott Poole Synopsis (Courtesy of Powell's Books ): "Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. In the follow-up to his first book, Satan in America, Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. Specifically, he discusses how the stories like "Pocahontas" and "The. He compares himself with the other prisoners. Poole's examples are well-chosen and well-explicated. The free trial period is the first 7 days of your subscription. The book takes you from the trenches at Ypres to the backlots of Universal Studios and introduces you to the artists, writers, and directors who shaped the world of horror we know today from their own encounter with the carnage of the Great War. IE- minorities = what we are anxious about / obsessed with = the monstrous = monsters. Poole walks readers through the American history of monsters, matching horror trends to American epochs, where it turns out our sociopolitical climate influences the monsters we laud and follow in fiction, film, and the media. Use up and down arrows to review and enter to select. Subscribe now. Poole stays far away from polemic and sticks to the facts. Copyright Thats What She Read 2009-2013. For the next 7 days, you'll have access to awesome PLUS stuff like AP English test prep, No Fear Shakespeare translations and audio, a note-taking tool, personalized dashboard, & much more! You can find more scary stories from him on Twitter: @monstersamerica. on 50-99 accounts. OBrien tells Steve that her job is to make him a human being in the eyes of the jury. (The medical examiners evidence suggests that the shooter was probably right-handed.) That's What She Read by
Interesting as a surface-level exploration of "Monster Theory". This book is a wonderful introduction to American history through the lens of monsters. If you don't see it, please check your spam folder. For Professors: Exam Copies. Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. American history comes at us dripping with gore, victims lying scattered on the ground, eldritch moonlight revealing creeping horrors you never learned from your eighth grade history textbook. Dont have an account? . Why are we scared of this person? is always a question behind each chapter and Poole is careful to never reduce it purely to matters of sociology or psychology while still using those tools of analysis. In 2016, he wrote the Bram Stoker Finalist _In the Mountains of Madness: The Life and Extraordinary Afterlife of H.P. Numerous scholars explore the cultural and political implications of monster and horror films for the times from which they emerge. Few scholars connect such implications across broader expanses of time to reveal how intrinsically monsters and the horrific have been bound up in the history of America. Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. Petrocelli, the State prosecutor, calls more witnesses to establish the facts of the crime. Victor sees the monster's point of view and agrees to create a mate for the monster. Twelve Important Theology Books of 2021!!! Picked up on a whim, I certainly got the expected analysis of horror movies as a way for Americans to understand and react to their culture, but the author also makes the (very strong and well supported) argument that far from being a way to understand the world around us, monsters are also used by those in power to crush those without under their heel while also ignoring and excusing the fact that they're doing so. SparkNotes PLUS Briggs presents his defense of King. It is not just about film and fiction, but the cultural events that mirrored the works on the screen and in our nightmares. SparkNotes PLUS Which one would you like to know more about and why? Evil brutes exist inside and outside American neighborhoods. Academic, yet very accessible, I was fascinated by this book, and it holds a very special distinction as the only book I was required to buy for a college class that has Poole's book is fantastic, a terrific look at what makes monsters in film resonate in American culture. Buy now: [ Amazon ] [ Kindle ]. Salem witches, frontier wilderness beasts, freak show oddities, alien invasions, Freddie Krueger. The man immediately begins screaming about something hidden in the mist that is attacking and killing people. Petrocelli refers to the defendants as monsters in the community. She then calls two witnesses. I highly recommend this for fans of the horror genre and anthropology. Hades Roman name: Pluto. Reviewed in the United States on December 30, 2014. He reminds the jury of the witnesses criminal records and contends that their unreliability casts reasonable doubt on Kings guilt. Monsters in America argues that historical, political and social conditions produce narratives of horror and create "monsters." Choose one of the following periods 1.) (Christopher James Blythe, Florida State University, (John W. Morehead, editor, www.TheoFantastique.com). Poole presents his findings methodically through well-documented facts and similar studies. The history of the United States offers a chamber of horrors, with clergy transforming the Native American other into demonic beings, mad scientists turning state-funded laboratories into torture chambers, and the photographic revolution of the Victorian era turning toward a morbid fascination with the bodies of the dead and the creation of the category of 'gore.' Hafez Poems Five of Our Favorites from the Divan of Hafez, N.T. The old newspaper adage still holds true today. A masterful survey of our grim and often disturbing past, Monsters in. Component 2: Summary. He argues that our myth of conquering the monster has made us particularly inclined to turn other groups of human beings into monsters and to justify their oppression or domination. FREE Shipping on orders over $25.00 shipped by Amazon. Purchasing Poole wants to tell a story and take his readers on a journey, and he definitely does so. Briggs makes the first closing argument in the case. He decides to make a movie about his experience. Filmmakers create celluloid illusions with that in mind. session with vampires and zombies, Poole plots America's past through its fears in this intriguing sociocultural history. You'll be billed after your free trial ends. What could we extrapolate on the ways we lived and what we believed during each era?
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